The thread connecting our past to our future is what we make, now.
PRISM PRESENTS
THE GREATS meet our New Zoom Play DEVELOPMENT Series
PRISM MEETS TIM PHILLIPS STUDIO
Oct 17 @ 7:30pm ET / 4:30pm PT
With more than 60,000 coaching sessions and 40+ years in the business, audition coach and premiere acting teacher Tim Phillips knows what works. Originally Meisner-trained, Phillips realized the need for a process that would bring the truthfulness of character and object work to the high-paced turnarounds the Film & TV industry demand, especially for auditions.
Sherlock Holmesing The Text was invented to meet that demand. Phillips raises the craft required for great auditioning to an art, and continues to teach highly committed, free, and independent artists how to be prepared, willing, and down to play - no matter what the work. Now, five years after returning to the building blocks of his training with in-person teaching, and a year and a half after online development, Tim has simplified the training he received and presents it to actors through his BUILDING THE PHYSICAL LIFE OF THE CHARACTER.
On Oct 17, we support the artists who, for the first time, take the private work of in-class training into the public arena. We are always learning, we are always growing, and Prism is especially grateful to the artists and to Mr. Phillips for the generosity of this experience.
In order from left to right, descending:
Christopher Patrick & Jasmine Smith - Lorna Moon and Joe Bonaparte, Golden Boy by Clifford Odets
Juan Carlos Diaz & Michaela Morgan -Jean and Miss Julie, Miss Julie by August Strindberg
Cheryl Prater - Claudia, Nuts by Tom Topor
Jennifer E Greenfield, Karen Musey - Wanda and *Rachel, The Baby Dance by Jane Anderson
Annie Acker, Ebin Antony - Lorna Moon and Joe Bonaparte, Golden Boy by Clifford Odets
Gabriel Rosales, Mallory Mejias - Torch and Blue, Beirut by Alan Bowne
Ariane Reinhart, Paul Berney - Ruth and Charles, Blithe Spirit by Noel Coward
George Adams, Trang Le - Henrey and Rosannah, Brilliant Traces by Cindy Lou Johnson
Zillah Glory will read *Rachel in The Baby Dance.
“I suspect that the themes explored in the play are just as resonant today as they were when it was first produced over twenty years ago, arguably even more so. Cultural appropriation, intellectual property, who has the right to tell certain certain stories and who doesn’t - all of these topics may be more part of our social discourse than they were in 1996. Set in the nineties, it even contains a then-current discussion of Woody Allen’s boundary issues which are very much back in the news. But at the heart of the play is the universal relationship between a mentor and her protégée, which I think reveals as much about the parent-child dynamic as it does the teacher-student.
PLAYWRIGHT DONALD MARGULIES
NEW ZOOM PLAY DEVELOPMENT SERIES
It gives us great pleasure to kick off our PRISM PRESENTS series of New Zoom Play Development presentations with new material written by Jan Buttram. There is much to share with photos, bios, background, and some behind the scenes inspiration from the directing & producing team. Click here to read more or jump to the What’s New page.